Process diary for Sky Pit, a 320×180 side-view airship scene painted in Aseprite with a 22-color palette. It walks from hand thumbnails to pixel concept sketches, then revises a cliff landscape into an airship-led wide shot with a docking ledge and distant traffic. Covers locking colors, proportions, and key detail before the paint pass, then the usual toolset—pencil, marquee, eyedropper, light layer use—plus a condensed process recording.
slynyrd.com
Full article stays on the publisher's site. This page is for sharing and discovery only.